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The Gardener (Caldecott Honor Award) (Hardcover) (Hardcover)
by Sarah Stewart
| Category:
Story, Award-winning books, Ages 4-8, Children's book |
| Market price: ¥ 198.00
MSL price:
¥ 168.00
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| Stock:
In Stock |
MSL rating:
 Good for Gifts |
| MSL Pointer Review:
A series of letters relating what happens when, after her father loses his job, Lydia Grace goes to live with her Uncle Jim in the city but takes her love for gardening with her. |
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Detail |
Author |
Description |
Excerpt |
Reviews |
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Author: Sarah Stewart
Publisher: Farrar, Straus and Giroux (BYR)
Pub. in: August, 1997
ISBN: 0374325170
Pages: 40
Measurements: 11.1 x 8.7 x 0.3 inches
Origin of product: USA
Order code: BC00114
Other information: 1st ed edition
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- Awards & Credential -
The winner of Caldecott Honor Award |
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- MSL Picks -
Stewart's quiet story, relayed in the form of letters written by a little girl, focuses on a child who literally makes joy blossom. Small's illustrations are a bit more softly focused than usual, but they're still recognizably his, with wonderfully expressive characters, ink-line details, and patches of pastel. Their muted backgrounds convey perfectly the urban 1930s setting where most of the story takes place. When hard times hit her family, Lydia Grace is shipped off to stay with her somber, undemonstrative uncle who owns a city bakery. She makes the best of her stay by helping out and by pursuing her favorite pastime, gardening, a talent she uses to make her uncle smile-in a very unusual way. In the end, she receives not simply one reward for her kindness but two.
Target readers:
Kids aged up 4
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Sarah Stewart is the author of The Money Tree and The Library.
Her husband, David Small, illustrated those books as well as many others, including George Washington's Cows and Fenwick's Suit. Ms. Stewart and Mr. Small live in Michigan.
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Lydia Grace Finch brings a suitcase full of seeds to the big gray city, where she goes to stay with her Uncle Jim, a cantankerous baker. There she initiates a gradual transformation, bit by bit brightening the shop and bringing smiles to customers' faces with the flowers she grows. But it is in a secret place that Lydia Grace works on her masterpiece - an ambitious rooftop garden - which she hopes will make even Uncle Jim smile. Sarah Stewart introduces readers to an engaging and determined young heroine, whose story is told through letters written home, while David Small's illustrations beautifully evoke the Depression-era setting.
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A reader (MSL quote), Lexington Park, MD
<2006-12-31 00:00>
"April showers bring May flowers." Sarah Stewart's The Gardener brings us the winsome story of a young flower lover, Lydia Grace Finch. Forced by the hard times of the Depression, Lydia leaves her family to go to the unfamiliar city to stay with her Uncle Jim, an unsmiling baker. While traveling by train, Lydia writes to Uncle Jim, admitting she knows nothing about baking, but a lot about gardening. In Lydia's subsequent letters to her Mama, Papa, and Grandma we discover just what Lydia thinks of the city, subdued Uncle Jim, and learning to bake bread. David Small's pen and ink drawings with their softly hued watercolor washes fill the large pages with detailed views of Lydia's adventure. Where in the big gray city can Lydia ever grow all the seeds and bulbs her Grandma sends her? Will Lydia ever coax a smile from Uncle Jim? Read Lydia's charming letters to find out how one determined slip of a girl brightens her city corner of the grim 1930's world. |
Joegil K. Lundquist (MSL quote), Medina, WA USA
<2006-12-31 00:00>
This book has such an unexpected gut-level impact on everyone who reads it! I have read it aloud to people of all ages and there is never a dry eye in the room! Each of the short letters begins with a date which will be meaningful to anyone who lived through the depression. Oddly enough, disasters and hard times seem to bring out the best in people and this book sets out to show just how that is true. Lydia Grace Finch is such a universally loveable little character - she is unforgettable! The text and the illustrations are so perfectly suited to each other - they seem to have been created by the same person -but they aren't! (Just a "marriage of true minds" I guess.)The book gets at the heart of what a family can give a child even without money - what it means to be poor and what it means to be rich.
This is a lovely gift book for children or adults and I hope it stays in print for a long, long time!
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Megpilgrim (MSL quote), Orem, UT
<2006-12-31 00:00>
Lydia Grace Finch has been sent to the city to live with her Uncle Jim while her family struggles with hard times. Uncle Jim does not smile and Lydia Grace finds the big city very, very big. Soon she is able to make friends with the workers at her uncle's bakery and the neighbors in her building. With a child's enthusiasm and optimism, Lydia works to bring a little bit of the farm back home to her new city home. She also hopes to see a smile cross her Uncle Jim's face one day. Slowly, she is able to transform the roof of her apartment into a magical place and win that coveted smile. Sarah Stewart has written a delightful story of a child's optimism and the power of a smile. Davis Small's illustrations are guaranteed to bring a smile to your face. A wonderful book to read aloud. |
E. R. Bird (MSL quote), Manhattan, NY
<2006-12-31 00:00>
There are good David Small books and there are bad David Small books. Good David Small books are usually (though by no means always) written AND illustrated by David Small himself. Bad or poorly created David Small books are usually written by someone else, using Mr. Small's talents as a kind of afterthought. The exception to this rule (and all rules, as you well know, must have exceptions) is the pairing of David Small and his wife Sarah Stewart. After creating the fabulous "Money Tree" and the bibliophilic, but somewhat disturbing, "The Library", the two combined their talents yet again to write a gentle story of love, gardening, and family.
The year: 1935, and Lydia Grace Finch is being sent from the country to go live with her Uncle Jim in the city. Lydia Grace faces this challenge with resolve and a little sadness. After all, she is leaving her family behind, the effects of the Great Depression having taken their toll. The city is a gray dirty place and Uncle Jim is kind but he never smiles. Soon, it's Spring again and Lydia has found a place to call her own (the building's abandoned roof). Her number one goal is to get Uncle Jim to smile, and she's fairly certain that the answer to this goal is just around the corner.
What Stewart and Small have accomplished here is an evocative sense of metropolitan dank and pastoral greenery. The pictures are deeply moving sometimes, and gently humorous others. One picture that particularly took by breath away was the shot of Lydia Grace standing in the train station alone. She is singled out, a blue dress wearing, green hat donning, red-haired little girl. The rest of the scene is all gray slashes of people walking in the distance and filthy light streaming through huge windows overhead. It's a gorgeous picture. Uncle Jim is just the right companion for the spunky little heroine too, looking like nothing so much as a 1930s version of Gene Shalit (sans the hair). What I appreciated most about this story was that it accepted the fact that some people in this world express their emotions and feelings differently from others. Not to give anything away, but Uncle Jim never smiles. And you wouldn't want him to either. Human beings can place importance in other things, like hard work and discipline. Uncle Jim is one such person.
If I have any objections to this book at all, it comes at the expense of Lydia Grace herself. This is a wonderful character and a great gal, this is not a child. David Small has, for reasons best known to himself, drawn a girl that looks like nothing so much as a shrunken adult. I've never had this objection to any of Mr. Small's characters before, so it was a bit of a shock to me to have such an objection now. Just the same, the eloquent story and excellent evocative scenes more than make up for a flaw that, let's admit it, probably only I could see.
Gardeners get short shrift in books, especially books for kids (unless you count stories like, The Carrot Seed). In this particular case, I think anyone, regardless of whether or not they can tell a petunia from a tulip, will enjoy this book. Its pace is a little slower and quieter than that found in other picture books, but for some kids it's just the right combination of simplicity and sweetness. |
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