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The Blue Lotus (The Adventures of Tintin) (Paperback) (Paperback)
by Herge
| Category:
Adventure, Fiction, Ages 9-12, Children's book |
| Market price: ¥ 148.00
MSL price:
¥ 128.00
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| Stock:
Pre-order item, lead time 3-7 weeks upon payment [ COD term does not apply to pre-order items ] |
MSL rating:
 Good for Gifts |
| MSL Pointer Review:
The adventures of Tintin which is full of mystery and comedy is a classic series. Tin-Tin will take you to another time & place. |
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Author: Herge
Publisher: Little, Brown Young Readers
Pub. in: July, 1984
ISBN: 0316358568
Pages: 62
Measurements: 11.4 x 8.6 x 0.2 inches
Origin of product: USA
Order code: BC00133
Other information: 1st American ed edition
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Rate this product:
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- MSL Picks -
This is probably the most exciting and the most interesting of all the 25 Tintin adventures. Considering it was written early in Herge's career (c. 1930s), the level of proficiency and artwork is extraordinary. In this adventure, it is really the continuation of "Cigars of the Pharaoh" but able to stand on its own, Tintin travels to China to root out an international drug-smuggling gang. During his stay in China, Tintin gets enmeshed in the politics of the time, when the Japanese were secretly creating pretexts for extending their occupation of China. At a time when the European powers were practicing appeasement towards Japan, this adventure is a daring stance in solidarity with the underdog - here being the Chinese. Much of the day-to-day events of the time are interwoven seamlessly with the action of this adventure comic. Neither is the opium trade (the centerpiece of this story) that the colonial powers pushed on China far removed from reality.
What is perhaps the most amazing thing about this creation is that Herge never traveled to China, not before nor after this story (though he did go to Hong Kong much later in his life). For information about China, he relied on magazine photos and articles, and on the information provided by a friend and roommate Chang Chong Ching, who played the role model for the Chang Tintin befriends in the story (and whom we encounter later in Tintin in Tibet). Chang is the one who wrote the myriad excellent specimens of Chinese calligraphy ornamenting the book. All the Chinese signs in the adventure are meaningful inscriptions, from simple restaurant signs "Foods" and advertisements for international companies "Siemens" to anti-imperialist and anti-Japanese slogans grafittied on the walls. These signs paint a realistic portrait of the Chinese environment at the time. All my Chinese friends who have read this adventure swear that the depictions of China are realistic and cannot believe that Herge never visited that country!
This comic story has all the components for a great piece of art/literature. The artwork is masterful, the settings and scenery realistic, the plot and action entertaining and suspenseful, and the characters well-developed and possess considerable depth. In addition, while the ending is happy, the story is not free from life's tragic moments that bring tears to the eyes. It is a definite must-read for all Tintin lovers, as well as for those wishing to learn something about China and its recent history.
Target readers:
Kids aged up 6
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- Better with -
Better with
Cigars of the Pharoah (The Adventures of Tintin) (Paperback)
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Hergé (pseudonym of Georges Remi), Belgian author and illustrator, created Tintin in 1929 and produced 24 volumes of the internationally famous bande dessinée by the time of his death. Known as the father of the modern European comic book, Hergé's impeccable style and superb use of color won him international acclaim after the Second World War, and the books have been translated from the original French into some 40 languages.
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Written in 1936, The Blue Lotus is the sequel to the colorful Cigars of the Pharaoh. In the Cigars of the Pharaoh, Tintin has almost succeeded in smashing an international gang of drug traffickers, managing to capture all of them except the leader who mysteriously crashes over a ravine.
His further investigations lead him to China, then under threat from Japanese aggression.
Tintin comes up against a madman infected with a dart that sends the recipient insane , enraged British colonists out for revenge after having been humiliated by Tintin and the Japanese army , with the chief villain of the piece being Japanese businessman Mitsuhirato.
This album drew protest form the Japanese government of the time, and was praised by Chiang Kai Shek, President of the Republic of China.
However, it was banned by China's Communist regime until 1984, due to some of their own insane Maoist reasoning-and even then was still chopped up and heavily edited.
Other albums having been banned by the Communist dictatorship in China where Tintin in Tibet (for recognizing Tibetan culture), Tintin in the Land of the Soviets (for exposing Communism) and Tintin in the Congo ('Colonialist').
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Lawrance M. Bernabo (MSL quote), USA
<2007-01-05 00:00>
The Blue Lotus begins where Cigars of the Pharaoh left off, with Tintin and Snowy in India as the guests of the Maharaja of Gaipajama. The evil gang of international drug smugglers had been smashed and all of them are now behind bars except for the mysterious leader, who disappeared over a cliff. A visitor from Shanghai is hit with a dart dipped in Rajaijah juice, the poison of madness, which is enough to send our intrepid hero to the Chinese city where his rickshaw runs into Gibsons, an occidental who is not looking where he is going and starts beating the rickshaw driver for daring to barge into a white man. Tintin intervenes, calling the man's conduct disgraceful and Gibbon vows revenge. The next thing we know Tintin is being shot at every time he turns around. Things become even more mysterious when another bystander is hit with a Rajaijah dart and Tintin embarks on a ship for Bombay only to wake up in the home of Wang Chen-yee, who begins to unravel the mystery for our hero.
This Tintin adventure was first published in Belgium in 1934-35, although the story is actually set in 1931, which was when Japanese troops were first occupying parts of China. Shanghai, the great northern seaport on the Yangtze River, had an International Settlement that served as a trading base for Western nations. Herge incorporates several actual events in this narrative, including the blowing-up of the South Manchurian railway, which served as an excuse for further Japanese incursions into China, and led to Japan walking out on the League of Nations.
Of course, it is the Japanese invaders who are after Tintin, who is pretty much on his own for most of this adventure until the Thom(p)sons show up with orders to arrest him (of course the duo don native dress, wanting to avoid causing a scene by walking around dressed in European clothes). The title of the story comes form an opium den that figures prominently in the resolution of the tale. The Blue Lotus finds Herge fully committed to providing accurate cultural details in is stories, although this story has the added virtue of being the most "realistic" in terms of portraying current events in a world poised on the brink of war. His drawings of Asian figures can certainly be considered caricatures, but then this is pretty much true of the way he draws everybody in these stories, with the simplistic look of Tintin being the exception that proves the rule.
The Blue Lotus is also the adventure in which Tintin meets Chang Choug-chen, a young orphaned Chinese boy our hero saves from drowning. Chang is surprised a white devil would bother to save his life and Tintin has to explain how not all white men are wicked. The character of Chang is based on Chang Chong-Chen, a young Chinese student who became Herge's friend in 1934, as is the case with Chang and Tintin. When the Communists took over China the two friends lost touch. Decades later Tintin would race across half the earth to help rescue his friend in Tintin in Tibet in 1960. Even though he does not appear in the interim, Herge makes it clear that Chang is a very special friend to Tintin. "The Blue Lotus" is a first rate Tintin adventure, made all the more special because once World War II began Herge made a concerted effort to distance his stories from the horrors of the real world. After the war Herge would deal with East-West tensions on a completely fictional level, making this early adventure of more than passing interest in Herge's career.
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F. Orion Pozo (MSL quote), USA
<2007-01-05 00:00>
The Blue Lotus is a sequel to Cigars of the Pharaoh, in which Tintin struggled with an international gang of smugglers in North Africa and India. In the current volume, the intrigue with the smugglers takes Tintin from India to Shanghai where his life is constantly in danger as the smugglers try to stop him from finding a cure for their secret poison of madness. There is a racial bias in this volume in favor of the Chinese of Shanghai over the British and Japanese who are portrayed as scheming and self-centered. Herge must have sympathized with these colonized people who were being threatened by rising Japanese aggression.
Tintin's friendly adversaries, the twin Thompson brothers, detectives, make their appearance in this volume and there is a very funny scene where they try to disguise themselves as Chinese in pre-reform costumes and become the center of attention.
The heroes of the book are the elderly Wang and young Chang, two remarkably clever and resourceful allies.
This series is great at portraying the world between the two great wars in a way that is simple yet respectful. The adventures are well crafted and the color illustrations are sumptuous in detail. Shanghai really comes to life in this book with its opium dens, busy streets, and tea shops.
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Darragh O'Donoghue (MSL quote), Dublin, Ireland
<2007-01-05 00:00>
Those delightful boobies, Thomson and Thompson, reappear in this sequel to Cigars of the Pharoah, at one point ostentatiously disguising themselves in 'Mikado'-like finery to blend in with the Chinese locals, as they attempt to surreptitiously capture Tintin, only gathering an amused crowd in their wake.
For many Tintinophiles, 'The Blue Lotus' is the most precious of all Herge's masterpieces; certainly, in the event of a fire, after my dogs, and maybe my wife, my long-battered copy would be the first thing I would rescue. From its famous front cover - a giant, twisting black Chinese dragon on a rich red background, facing Tintin and Snowy as they hide in blue vase patterned with a bird and flowers, the images lit by a pale green lantern - every frame is a detailed artwork in itself. Set largely in Japan and European-occupied Shanghai in the early 1930s, every frame painstakingly evokes the Oriental setting: every wall-covering, item of clothing, ornament, building, street, poster, and vehicle. Some of the landscapes and silhouettes are etched with the complex simplicity of a wood-cut by Hokusai, Hiroshige or Taige. The eye-dazzling colour is complemented by a much higher proportion of night scenes than previous Tintins. The deep, somber colors give the story a melancholy (as do the peeling walls found everywhere behind the prettily picturesque Orientalist scenes). This sadness is matched by the plot's events, not just the violent expansionist plans of Japanese fascists or the culpability of European colonialists, but a world where brave sons turn mad, and orphans nearly drown by sheer chance. Herge's storytelling has also matured significantly since his early efforts: his pacing and variations of tone, his crosscutting and fragmenting of narrative, his sustaining mystery - all come together with superb mastery.
And for the first time, because the fictional world created is so believable and historically rooted, Tintin takes on the contours of a genuine hero, much more than a mad marionette endlessly dodging melodramatic villains. His genuine nobility, loyalty and courage, his touching friendship with the orphan Chang, all bespeak fading values in a world crashing towards totalitarianism. A beautiful, urgent book.
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