

|
The Bell Jar (P.S.) (Paperback)
by Sylvia Plath
Category:
Fiction, Autobiography |
Market price: ¥ 158.00
MSL price:
¥ 148.00
[ Shop incentives ]
|
Stock:
In Stock |
MSL rating:
Good for Gifts
|
MSL Pointer Review:
A sad, honest, and best-told tale of a woman's descent into madness. An American literary masterpiece! |
If you want us to help you with the right titles you're looking for, or to make reading recommendations based on your needs, please contact our consultants. |
 Detail |
 Author |
 Description |
 Excerpt |
 Reviews |
|
|
Author: Sylvia Plath
Publisher: Harper Perennial Modern Classics
Pub. in: August, 2005
ISBN: 0060837020
Pages: 288
Measurements: 8.0 x 5.3 x 0.7 inches
Origin of product: USA
Order code: BA00425
Other information:
|
Rate this product:
|
- MSL Picks -
Sylvia Plath made a name for herself with her poetry and this, her only novel. She was one of the confessionalist poets, along with Anne Sexton, she studied with Robert Lowell. The Bell Jar carries her confessionalistic work into fiction. This is based pretty heavily on her life. The Bell Jar is like A Catcher in the Rye for girls. It's pretty well written, though you can tell it is an inexperienced novelist. It is a shame she killed herself so young, because not only was she a great poet, but she had such potential to become a great fiction writer. Plath successfully carries us down into insanity with her protagonist. The narration works very well in keeping the reader as disjointed as our heroin. We never get a good idea as to why the breakdown occurs, but as in real life, these matters are often confusing.
Similar to many great American writers, her prose style is deceptively simple. Plath's writing is extraordinarily translucent, enabling the reader to vicerally connect with her inner most thoughts and feelings. This aspect of the novel was highly enjoyable rather than the actual story itself. Sometimes reality is difficult to look at... As a poet, Plath is acutely sensitive to the world, and as sensitive people are forced to do, they create social masks as a defence mechanism against the vulgarities of existence. This reminded me of the Aestheticism of the Irish writer and poet, Oscar Wilde: the poet's task in life is to be a seeker of beauty - the art of life, or the life of art, the aesthete or poet equates with a form of purified ecstasy that can flourish only when removed from the vulgarities and stereotyped world of actuality. In the case of the novel's protagonist, Esther Greenwood, it was a confrontation and eventual withdrawal from the vulgarities of 'male culture'. The mask she created revealed itself as an unkind, almost flippant attitude to the people around her. Because she must be true to herself, (as poets must be) her actions or inactions with the people around her caused tremendous guilt, thus the vicious circle begins: an acute sensitivity to the world and self; the creation of a false mask as defense; the inevitable guilt for not being true to oneself, leading to eventual self destruction.
Widely perceived as a work of art, The Bell Jar is an important book for many reasons, least of which is its literary contribution to American letters.
Target readers:
General readers
|
- Better with -
Better with
The Catcher in the Rye
:
|
Customers who bought this product also bought:
 |
The Catcher in the Rye (Paperback)
by J. D. Salinger
|
 |
The Water Is Wide (Paperback)
by Pat Conroy
A novel that gets you fired up about the ills and wrongs of society and makes you want to change the world. |
 |
The Remains of the Day (Vintage International) (Paperback)
by Kazuo Ishiguro
Profoundly moving, beautifully elegant, this story of human warmth is made so rich and readable through a contrast between perception and reality. |
|
Sylvia Plath was born in 1932 in Massachusetts. Her books include the poetry collections The Colossus, Crossing the Water, Winter Trees, Ariel, and The Collected Poems, which won the Pulitzer Prize. A complete and uncut facsimile edition of Ariel was published in 2004 with her original selection and arrangement of poems. She was married to the poet Ted Hughes, with whom she had a daughter, Frieda, and a son, Nicholas. She died in London in 1963.
|
From the Publisher:
The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful, but slowly going under - maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.
This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.
|
View all 17 comments |
Robert Scholes (The New York Times Book Review) (MSL quote), USA
<2007-01-08 00:00>
A fine novel, as bitter and remorseless as her last poems - the kind of book Salinger's Fanny might have written about herself ten years later, if she had spent those ten years in Hell. |
Merriam-Webster's Encyclopedia of Literature (MSL quote), USA
<2007-01-08 00:00>
Novel by Sylvia Plath, first published in January 1963 under the pseudonym Victoria Lucas, and later published under her real name. Plath committed suicide one month after the publication of The Bell Jar, her only novel. This thinly veiled autobiography details the life of Esther Greenwood, a college woman who struggles through a mental breakdown in the 1950s. Plath examines coming of age in a hypocritical world in this painfully intros- pective novel, which is noted for its symbolic use of bottles and jars and black and white colors and its symbols of imprisonment and death. |
Time (MSL quote), USA
<2007-01-08 00:00>
By turns funny, harrowing, crude, ardent and artless. Its most notable quality is an astonishing immediacy, like a series of snapshots taken at high noon. |
Christian Science Monitor (MSL quote), USA
<2007-01-08 00:00>
The narrator simply describes herself as feeling very still and very empty, the way the eye of a tornado must feel. The in-between moment is just what Miss Plath's poetry does catch brilliantly - the moment poised on the edge of chaos. |
View all 17 comments |
|
|
|
|