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Cell (Paperback)
by Stephen King
Category:
Horror fiction, Bestsellers, Original books |
Market price: ¥ 128.00
MSL price:
¥ 118.00
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Stock:
Pre-order item, lead time 3-7 weeks upon payment [ COD term does not apply to pre-order items ] |
MSL rating:
Good for Gifts
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MSL Pointer Review:
A wonderfully horrific journey into the heart of terror and technology that you will never forget, from the master of horror Stephen King. |
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Author: Stephen King
Publisher: Pocket Star
Pub. in: November, 2006
ISBN: 1416524517
Pages: 480
Measurements: 7.5 x 4.2 x 1 inches
Origin of product: USA
Order code: BA00926
Other information: Reprint edition ISBN-13: 9781416524519
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- Awards & Credential -
#1 New York Times Bestseller |
- MSL Picks -
The master of horror has returned and now it is a conscious thought every time you put that cell phone up to your ear! As usual, King manages to focus on the humanity in the middle of terror. The characters seem so real, with the fears, loves, and phobias of normal people. Stephen King's newest novel is a violent, brutal, unflinching look at the possibilities of "brainwave interference."
Unlike most of King's other books in which he builds the horror up slowly and insidiously until we're caught almost unaware, things in Cell get off to a bang-up start almost at the very beginning of the book. It's the first day of October, a beautiful early fall afternoon in Boston, and Clayton Riddell, a cartoonist, is celebrating the signing of a contract for his animated novel that will let him and his family live in some degree of comfort. At a little after three o'clock, something goes haywire. A pulse has just gone through the air waves and anyone with a cell phone to his or her ear instantly has all their circuits wiped. People start doing very odd things indeed, attacking other people at random, chomping through necks, ripping off ears and noses and generally acting like a bunch of zombies gone berserk. As a matter of fact, they really are zombies gone berserk. The pulse has wiped out whatever has made them human, robbing them of speech, intellect, feeling, and leaving them with only the most rudimentary instinct of primal rage.
Clay and a few other people who mercifully weren't on their cell phones and who are left with their faculties more or less intact, band together to survive what looks very much like apocalypse right now. Some of them will make it, and some of them won't. These zombies may have had their circuits blown, but they're not living dead; they're like hard drives that have been reprogrammed to turn them into something stronger and more dangerous than they had ever been when they were human. They're learning to communicate by telepathy, and they're developing an unsettling ability to use this telepathy to compel normal people to do things they wouldn't ordinarily do, such as jamming a pen into their brain through their eye. They're learning to use parts of their brains that had been dormant when they were people. They've even learned to levitate.
Clayton and his band decide they have to do some of these phoners in before they are done in themselves, but after one attempt at mass zombiecide goes disastrously wrong, they find the tables being turned and the hunters become the hunted. They flee to southern Maine, following some mysterious hand-painted signs that say. Are they headed for a refuge, or, as Clay's friend Tom suspects, are they being herded into a killing ground? Nobody knows; life has been re-written and none of the rules exist any more. But they all yearn for a safe haven, and Clay, more than anything else, wants to find out the fate of his son, Johnny - who, a few months earlier, had received a cell phone as a present on his twelfth birthday.
King has been hit-and-miss with characterization through his career as a novelist, but in Cell he gives us a group of people who grab and hold our interest. We care about them and what becomes of them. We feel Tom's pain as he has to abandon his beloved cat to her fate while he heads north for safety; we empathize with Alice, only fifteen and stranded in a world that has suddenly turned into a vast House of Horrors, and even more for Jordan, a computer nerd of Johnny's own age, who, more than any of them, understands just what makes these phoners tick. And most of all, we agonize along with Clay at Johnny's still unknown fate - what shape will he be in, if and when Clay ever finds him?
King is a legendary bestseller man in addition to his highly great writing talents and skills. Horror or not, King again makes people, critics, readers, publishers, bookstores talk and discuss and debate, make “ahhs” and “oohhs” and still can fuel up a heated buzz throughout the country, hype or not. This was an excellent effort by Stephen King and I applaud his ability to take the everyday cell phone and transform it into an object of terror. Cell shows that the master of horror is still the master.
Cell is a wonderfully horrific journey into the heart of terror and technology. It is a dark, twisting ride that will leave you breathless, from first page to last. It is Stephen King scaring the crap out of you... and that is a ride you will never forget.
Target readers:
General readers
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Stephen Edwin King was born in Portland, Maine in 1947. After his parents separated when Stephen was a toddler, he and his older brother, David, were raised by his mother. Parts of his childhood were spent in Fort Wayne, Indiana, where his father's family was at the time, and in Stratford, Connecticut. When Stephen was eleven, his mother brought her children back to Durham, Maine, for good. Her parents, Guy and Nellie Pillsbury, had become incapacitated with old age, and Ruth King was persuaded by her sisters to take over the physical care of the elderly couple. Other family members provided a small house in Durham and financial support. After Stephen's grandparents passed away, Mrs. King found work in the kitchens of Pineland, a nearby residential facility for the mentally challenged.
Stephen attended the grammar school in Durham and then Lisbon Falls High School, graduating in 1966. From his sophomore year at the University of Maine at Orono, he wrote a weekly column for the school newspaper, The Maine Campus. He was also active in student politics, serving as a member of the Student Senate. He came to support the anti-war movement on the Orono campus, arriving at his stance from a conservative view that the war in Vietnam was unconstitutional. He graduated from the University of Maine at Orono in 1970, with a B.A. in English and qualified to teach on the high school level. A draft board examination immediately post-graduation found him 4-F on grounds of high blood pressure, limited vision, flat feet, and punctured eardrums.
Stephen made his first professional short story sale ("The Glass Floor") to Startling Mystery Stories in 1967. Throughout the early years of his marriage, he continued to sell stories to men's magazines. Many of these were later gathered into the Night Shift collection or appeared in other anthologies.
In the fall of 1971, Stephen began teaching high school English classes at Hampden Academy, the public high school in Hampden, Maine. Writing in the evenings and on the weekends, he continued to produce short stories and to work on novels.
In the spring of 1973, Doubleday & Co. accepted the novel Carrie for publication. On Mother's Day of that year, Stephen learned from his new editor at Doubleday, Bill Thompson, that a major paperback sale would provide him with the means to leave teaching and write full-time.
At the end of the summer of 1973, the Kings moved their growing family to southern Maine because of Stephen's mother's failing health. Renting a summer home on Sebago Lake in North Windham for the winter, Stephen wrote his next-published novel, originally titled Second Coming and then Jerusalem's Lot, before it became 'Salem's Lot, in a small room in the garage. During this period, Stephen's mother died of cancer, at the age of 59.
Carrie was published in the spring of 1974. That same fall, the Kings left Maine for Boulder, Colorado. They lived there for a little less than a year, during which Stephen wrote The Shining, set in Colorado. Returning to Maine in the summer of 1975, the Kings purchased a home in the Lakes Region of western Maine. At that house, Stephen finished writing The Stand, much of which also is set in Boulder. The Dead Zone was also written in Bridgton.
In 1977, the Kings spent three months of a projected year- long stay in England, cut the sojourn short and returned home in mid-December, purchasing a new home in Center Lovell, Maine. After living there one summer, the Kings moved north to Orrington, near Bangor, so that Stephen could teach creative writing at the University of Maine at Orono. The Kings returned to Center Lovell in the spring of 1979. In 1980, the Kings purchased a second home in Bangor, retaining the Center Lovell house as a summer home.
Because their children have become adults, Stephen and Tabitha now spend winters in Florida and the remainder of the year at their Bangor and Center Lovell homes.
He has put some of his college dramatic society experience to use doing cameos in several of the film adaptations of his works as well as a bit part in a George Romero picture, Knightriders. Joe Hill King also appeared in Creepshow, which was released in 1982. Stephen made his directorial debut, as well as writing the screenplay, for the movie Maximum Overdrive (an adaptation of his short story "Trucks") in 1985.
Stephen is the 2003 recipient of The National Book Foundation Medal for Distinguished Contribution to American Letters.
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Where Were You On October 1st At 3:03 P.M.?
Graphic artist Clay Riddell was in the heart of Boston on that brilliant autumn afternoon when hell was unleashed before his eyes. Without warning, carnage and chaos reigned. Ordinary people fell victim to the basest, most animalistic destruction.
And the apocalypse began with the ring of a cell phone....
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View all 15 comments |
Bookmarks Magazine (MSL quote), USA
<2007-01-29 00:00>
Fans have offered their horror-fiction idol unfaltering loyalty since the publication of his first novel, Carrie, three decades ago. More than 50 books later, Stephen King's stock-in-trade remains stinging, darkly humorous social commentary. His latest effort, a nod to gore-meisters George Romero (Night of the Living Dead) and Richard Matheson (I Am Legend), among others, is no different. The result, though entertaining, is uneven. Some reviewers appreciate King for his prodigious imagination and his storytelling abilities, while others take issue with his two-dimensional characters, scattershot plotting, and the too-obvious echoes of past novels. For longtime fans of King's work, Cell may bring to mind a more compact (though ultimately less satisfying) version of the author's epic The Stand. |
Drchristian May (MSL quote), Australia
<2007-01-30 00:00>
The fastest Stephen King in a decade or more. The master takes us readers for a ride so fast, so brutal, so heartstopping, that you will lay off coffee for a couple of days, just to get the old pump in sync again !!! An absolute WOW , that will make you Fear your cell phone ! Read it, and have your attack !
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Iska Bibble (MSL quote), USA
<2007-01-30 00:00>
What Stephen King does best is to take the familiar and make it really creepy. (What is more familiar than the cell phone?) Sure the Cell is formulaic,sure it incorporates multiple clich's of the horror genre, but for those Stephen King aficionados the Cell delivers as promised.
In recent literary attempts, King shuned the blood-soaked imagery that was the hallmark of his earliest - and best - works. With the Cell, King returns to his goriest horror roots. It isn't the masterwork of the Green Mile, nor the small-town slice of life of Stand By Me, nor is it the misguided mismash of The Colorado Kid,it is Stephen King and his rawest most unadulterated form.
If you're looking for a fast raucous ride the Cell is worth the read.
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Jennifer Smith (MSL quote), Australia
<2007-01-30 00:00>
Horror works best when it uses the mundane as its vehicle. And for most readers, cell (mobile) phones are as ubiquitous as televisions, computers and cars.
While I read this as pure escapism, I kept finding myself wondering 'What if?' On one level, this novel works so effectively because the world in which we live has so many fearful possibilities. And we have seen first hand what can happen to communities when civilising forces are absent.
A good page turner: reminiscent of earlier Stephen King. Just don't take it too seriously. Whoops. Gotta go, my 'phone is ringing.
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