

|
Wuthering Heights (Paperback)
by Emily Brontë
Category:
English Literature, Classic, Fiction |
Market price: ¥ 78.00
MSL price:
¥ 68.00
[ Shop incentives ]
|
Stock:
In Stock |
MSL rating:
Good for Gifts
|
MSL Pointer Review:
A perfectly written novel with characters you will remember forever, all the basic human emotions-love, hate, jealously, pride, are on display in this novel but at their penultimate height. |
If you want us to help you with the right titles you're looking for, or to make reading recommendations based on your needs, please contact our consultants. |
 Detail |
 Author |
 Description |
 Excerpt |
 Reviews |
|
|
Author: Emily Brontë
Publisher: Bantam Classics
Pub. in: October, 1983
ISBN: 0553212583
Pages: 336
Measurements: 6.9 x 4.2 x 0.8 inches
Origin of product: USA
Order code: BA00788
Other information: ISBN-13: 978-0553212587
|
Rate this product:
|
- Awards & Credential -
"It is as if Emily Brontë could tear up all that we know human beings by, and fill these unrecognizable transparencies with such a gust of life that they transcend reality." - Virginia Woolf (English author, feminist, essayist, publisher, and critic wrote A Room of One’s Own)
|
- MSL Picks -
"My greatest thought in living is Heathcliff. If all else perished, and he remained, I should still continue to be... Nelly, I am Heathcliff! He's always, always in my mind: not as a pleasure... but as my own being." Wuthering Heights is the only novel of Emily Bronte, who died a year after its publication, at the age of thirty. A brooding Yorkshire tale of a love that is stronger than death, it is also a fierce vision of metaphysical passion, in which heaven and hell, nature and society, are powerfully juxtaposed. Unique, mystical, with a timeless appeal, it has become a classic of English literature.
(Quoting From the Publisher)
Target readers:
Readers who love literatures especially romance love, passionate writting style and tormented relationship between characters.
|
Emily Jane Brontë was the most solitary member of a unique, tightly-knit, English provincial family. Born in 1818, she shared the parsonage of the town of Haworth, Yorkshire, with her older sister, Charlotte, her brother, Branwell, her younger sister, Anne, and her father, The Reverend Patrick Brontë. All five were poets and writers; all but Branwell would publish at least one book.
Fantasy was the Brontë children’s one relief from the rigors of religion and the bleakness of life in an impoverished region. They invented a series of imaginary kingdoms and constructed a whole library of journals, stories, poems, and plays around their inhabitants. Emily’s special province was a kingdom she called Gondal, whose romantic heroes and exiles owed much to the poems of Byron.
Brief stays at several boarding schools were the sum of her experiences outside Haworth until 1842, when she entered a school in Brussels with her sister Charlotte. After a year of study and teaching there, they felt qualified to announce the opening of a school in their own home, but could not attract a single pupil.
In 1845 Charlotte Brontë came across a manuscript volume of her sister’s poems. She knew at once, she later wrote, that they were “not at all like poetry women generally write…they had a peculiar music–wild, melancholy, and elevating.” At her sister’s urging, Emily’s poems, along with Anne’s and Charlotte’s, were published pseudonymously in 1846. An almost complete silence greeted this volume, but the three sisters, buoyed by the fact of publication, immediately began to write novels. Emily’s effort was Wuthering Heights; appearing in 1847 it was treated at first as a lesser work by Charlotte, whose Jane Eyre had already been published to great acclaim. Emily Brontë’s name did not emerge from behind her pseudonym of Ellis Bell until the second edition of her novel appeared in 1850.
In the meantime, tragedy had struck the Brontë family. In September of 1848 Branwell had succumbed to a life of dissipation. By December, after a brief illness, Emily too was dead; her sister Anne would die the next year. Wuthering Heights, Emily’s only novel, was just beginning to be understood as the wild and singular work of genius that it is. “Stronger than a man,” wrote Charlotte, “Simpler than a child, her nature stood alone.”
|
From School Library Journal
Grade 8 Up-British actor Martin Shaw reads this shortened version of the classic Emily Bronte novel. His easily-understood accent is appropriate and helps to set the mood. Shaw reads at a very steady pace, pausing effectively for emphasis or when his character might be thinking. Usually calm and gentle, his voice can resonate with anger or other emotion when necessary. There is some differentiation in pitch to emphasize male vs. female speech, but it is not exaggerated or overdone. The abridgement retains Bronte's words linking speech or narration sometimes from one page to another. It provides students with an easier way to become familiar with the story and get a feel for her style. Teachers could use this presentation to introduce the novel or to entice students to read it on their own.
|
View all 14 comments |
A reader (MSL quote), USA
<2007-03-08 00:00>
Wuthering Heights is one of oldest romance novels and stands as a classic in litterature history.
All through the book you will meet great contrasts that to a certain extent can explain the actions. Wuthering heights is the land of storm and wilderness compared to the quiet and more passive Thruscross Grange where one might think it's more appropriate for children to grow up. The Earnshaw family lives on Wuthering Heights while the Linton family is from Thruscross Grange. When those two contrasts meets with the children of these two families, the conflicts starts. Catherine and Heathcliff are drawn to eachother from the begining and their passion is powerful and destructive. There's love, hate and suffering, but written in a poetic somewhat advanced language and it's echanting how you get caught up with this book.
Sad is it that Emily Brontë died the year after its publication at the age of thirty... But with this novel and her poems, she is one of the most well known female English writers of the 18th century.
You will surely miss out on something great by not reading this book. I warmly recommend Wuthering Heights to everyone who loves to read. It is truly a unique piece of writing!
|
A reader (MSL quote), USA
<2007-03-08 00:00>
I grinned when Sis, back in high school, told me I reminded her of Heathcliff. I remembered from the (old, old) movie that he was some evil fellow. Then I read the book. And stopped grinning. I'm amazed this book would ever be assigned to high school 'kids.' It's humorless and ultra-realistic. Every page reeks of evil and has selfishly evil (meaning normal) characters. Heathcliff was a tortured being but hardly innocent. Cathy was a solipsistic, driven fool. Even the Cliff Notes booklet for WH is surprisingly short (I read The Notes after burning through the book in a week) as if Cliff's was horrified to study this book! Cliff's good observation about Heathcliff is that his sole emotion is actually pity/affection for Hareton and that his 'love' for Cathy is, in fact, an animal possessive jealous rage. I changed after reading this book. For the better, I don't know. There is a point in the book where Heathcliff's every action evokes disgust and hatred, and then... as a man... I began to feel what he felt. For whatver his faults, I began to connect fully with his insane rage, and that his ideal of 'love' for Catherine--however warped--had been stolen from him forever. I understood his ruthlessness and love for no person or thing after Catherine's death. By the way, not to parrot the critics, but it is true that the marriage of Cathy and Hareton is NOT some kind of full circle, happier ending. It's more like holding hands in Hell. I left this book sadder than when I started it. After reading it, I doubt anyone anywhere is getting "wiser."
|
A reader (MSL quote), USA
<2007-03-08 00:00>
Love sometimes encompasses the dark component of obesession and this obsession is beautifully and hauntingly explored in Wuthering Heights, perhaps the most intensely original novel to emerge from 19th century England. This is the story of the passionate love between the wild Heathcliff and the reckless Catherine Earnshaw, both inhabitants of the Yorkshire moors. So passionate, in fact, are Catherine and Heathcliff that their love is doomed to tragedy rather than to fulfillment. When that does, indeed happen, Heathcliff, one of the most original and fascinating characters I have ever encountered, spirals ever downward into a morass of self-destruction and obsession. The symbolism in this novel is rich and complex and not so easily recognizable as one might first suppose. The presentation of the duality of human and non-human existence are deftly explored. Catherine and Heathcliff are violent figures striving in vain to identify themselves as ordinary human beings while disrupting all around them with the voraciousness of their appetites. Both ultimately disintegrate from within due to the passion out of which they are made. These two wildly intense characters stand out all the more sharply when contrasted with the simple ordinariness of Nelly Dean and Lockwood. The novel's central question, of course, concerns the meaning of Heathhcliff, who is both diabolical and yet, at the same time, irresistible. The power of the novel, does not, however, reside solely in the interpretaion of its theme. The setting, the relentless elements of the fire, wind and water of the moors only serves to deeepen and reinforce the intensity of the story. The language, although archaic, is poetic, reflecting Bronte's brooding personal vision. Extraordinary effects have been achieved with a remarkable power of formal organization and a brilliant handling of the time scheme. While encompassing the most domestic of scenes, this novel still achieves the depth of an ancient tragedy. Unforgettably haunting and beautiful in every way.
|
Daniel (MSL quote), USA
<2007-03-08 00:00>
Emily Jane Bronte wrote Wuthering Heights not to show what love is. But what love can do to those who are encompassed by desire. This novel is simply brilliant and by far the greatest novel of the Brontes and (in my opinion) the greatest novel ever written. I say this because Emily laid aside all the conventional types of victorian writing and imbued her novel with persons and events that are not ordinary, but utterly fascinating. Almost completely unrealistic at times, yet perfectly sound in their meanings. Some say to me that Wuthering Heights is impossible to enjoy. While others say they dislike the characters so much that they had to stop reading. I also hear that they cannot figure out all the plot twist and turns. But I say, is this not what real life is? There is no certainty of happiness in the lives of Catherine and Heathcliff. Certainly there is no certainty of happiness for anyone in the novel. (Which goes the same for all of us.) As wretched as this seems, Emily (in my opinion) did not write a full blown epic of true romance, despite what many say they love about this novel. She took humans and turned them into what is surprizingly more realistic. Emily filled them with faults and turned Cathy and Heathcliff into selfish and undeserving people who destroy each other, not out of love, but out of greed and their own unharnessable animal-like behaviour of what love was to them. What they do and say isn't romantic, but a sign (or even a warning from Emily) of what self indulgence and obsession can do to people pushed beyond their limits of common sense. Cathy and Heathcliff brought themselves to believe that their love was real, when in fact their grasp of love was (as Charlotte said, perverted.) Unrelenting in it's destructivness, thus leading to the various calamities their actions bestowed upon the (somewhat) innocent people surrounding them. As brilliant as this novel is, the greatness lies in the story telling of the many different characters we meet. The many different view points from Nellie to Edgar to Isabella and Hindley, spread across the pages and show you how they interact and react with one another as they expierence the situations which seem so very wild and incredible yet ring so very true. This (to me) is not exactly a novel about unbending love. But more of a study of the weaknesses that is stored in everyman. Emily gave us a written guide to show that following your instincts and passions is not always the best path to take. And Emily accomplished this with the most brilliant and unsurpassed written novel in history. It's pages burn with life and it's characters speak in tongues which, even now, I cannot always fully understand. Wuthering Heights can be looked upon as a fascinating study of a particular human race (at what could be any time frame) covering the ground of but a few persons, admist the many open miles... Thank you for your eyes...
|
View all 14 comments |
|
|
|
|