Author: Mark Salzman

Publisher: Vintage

Pub. in: October, 1987

ISBN: 0394755111

Pages: 224

Measurements: 8 x 5.2 x 0.7

Origin of product: USA

Order code: BA00696

Other information: 1st Vintage Departures Ed edition
ISBN-13: 978-0394755113

This book is an account of the two years Mark Salzman spent as an English teacher at the Hunan Medical College. Salzman arrived in Hunan Province in 1982, fresh from Yale, where he had graduated with a degree in Chinese literature. He took with him his cello and his experience studying Chinese martial arts. Salzman was an ideal American emissary - he brought his youthful yet serious enthusiasm to the classroom, and forged ties with the local populace through sharing his skills and interests. Once he even consented to attempt to tune a piano for his supervisor, his only qualification for the task being that he was familiar with the sound of well-tuned pianos back home. He befriended local fishermen and shared his art and music with them, but he also got to know Chinese grad students and professors through his interest in calligraphy and Chinese language.

Foremost in his interests was martial arts. Before arriving in China, Salzman had studied Chinese martial arts for 9 years. He hoped to find a teacher of martial arts, or wushu, so that he could continue his practice while in Hunan. Because of his openness to meet others and because of his language skills, he eventually met and studied with some remarkably skilled wushu teachers in Hunan, including Pan Qingfu, perhaps the most renowned living practitioner of Chinese martial arts in the world. Much of Salzman's account is a record of how he met these teachers, and how they helped him develop his skill, each in his own particular way and style.

Salzman's interest in calligraphy and martial arts opened doors for him that otherwise may never have appeared. Practicing calligraphy and wushu gave him the excuse for meeting Chinese citizens with similar interests, and for them to seek him out. But Salzman points out the ethical dark side of pursuing these interests as a foreigner. Salzman is very aware of the fact that, while he has studied martial arts for 9 years, no matter how seriously he had applied himself, he had practiced only on a hobby basis, a background to his academic and professional pursuits. On a Chinese scale, his 9 years of part-time study would barely constitute dallying with the sport. Yet because he was a foreigner who seemed to demonstrate such a serious degree of interest in the topic, he had access to the very best teachers, famous superstars that few Chinese wushu students could every dream of meeting. This is not meant to criticize Salzman, as he himself pointed out several times how distressed he was when his teachers would ignore their Chinese students so as to focus on his personal needs. Situations where an interested Westerner is given attention by experts that far exceeds that merited by their skills are unfortunately, quite common. Indeed, many Western musicians of very average talent manage to be accepted as students by famous classical Indian musicians, who may be fascinated by a Westerner who seems seriously interested in Asian music, or who may simply think that having Western students will somehow add to their prestige.

In 30 short anecdotes, Mark Salzman gives a compassionate and humorous account of teaching English and studying martial arts in Changsha, a provincial capital in central China shortly after the opening of the country in the early 1980s. Changsha has the reputation that "there is nothing to do, nothing to buy, the people have no manners, the food is terrible and their dialect sounds awful" - so the book might have become very different from what it is: insightful, very funny, and full of respect for the often strange customs of traditional Chinese culture. In the best manner of innocents abroad, Mark Salzman knows how to make fun of his blunders in a very charming way. He conveys his sense of wonder beautifully, and does not pass judgment on anything he witnesses. Unlike many other authors who write about China, he is able to appreciate traditional Chinese forms of expression and self-mastery like martial arts and calligraphy on their own terms. In his anecdotes he catches the essence of these arts: dedication, commitment, respect. "No matter what the quality of brush or paper," explains his calligraphy teacher, "one should always treat them as if they were priceless." What Mark Salzman wrote about China some 15 years ago is not dated in many ways. Strange ideas are still being trumpeted as truths, and bureaucrats still like to harass foreigners.

Mark Salzman managed to convey the essence of the Chinese political system and the manner that the basic culture and manners have survived its attempts to remake it. Mark Salzman has a wonderful, gentle humor, and an admirable open-mindedness. He combines both to focus not on the ignorance of the people he meets, but on the insight which even ignorance can produce.
- From quoting Erika Mitchell and Boris Bangemann

Target readers: Foreigners interested in Chinese culture or Chinese learner