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To Kill a Mockingbird (Paperback)
by Haper Lee
Category:
Fiction |
Market price: ¥ 148.00
MSL price:
¥ 138.00
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Pre-order item, lead time 3-7 weeks upon payment [ COD term does not apply to pre-order items ] |
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Good for Gifts
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MSL Pointer Review:
Richly rewarding, Lee's Pulitzer Prize-winning novel of racial injustice is one classic that will continue to speak to new generations. |
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Author: Haper Lee
Publisher: Harper Perennial Modern Classics
Pub. in: March, 2002
ISBN: 0060935464
Pages: 336
Measurements: 8.2 x 5.5 x 0.8 inches
Origin of product: USA
Order code: BA00427
Other information: 1st Perennial Classics edition
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- Awards & Credential -
Winner of the Pulitzer Prize Winner in 1960, translated into more than 40 languages, and sold more than 30 million copies worldwide. |
- MSL Picks -
"I'd rather you shot at tin cans in the backyard, but I know you'll go after birds. Shoot all the jay birds you want, if you can hit 'em, but remember it's a sin to kill a mockingbird" - Atticus Finch
Set against the backdrop of the Depression, Harper Lee's To Kill A Mockingbird traces 3 years in the life of 8-year-old Scout Finch in a country town of Maycomb, Alabama in southern Unite States of America as she and her elder brother Jem perceive through their young, quzzical eyes the irrational prejudice of the people against blacks and are unable to comprehend or accept the racial tension that's readily staring at the reader from virtually every page of this entertaining classic.
To Kill A Mockingbird is the saga of Atticus, the father of Jem and Scout,a widower and lawyer,the hero of the piece, and his eternal fight for justice for a black man charged with the rape of a nineteen-year-old white girl. Tom Robinson is the real mockingbird of the story; wronged, hapless, hopeless and circustancially crippled negro chased by the intellectually limited white hunters. Atticus is the odd man out and is severely chastened for despite being a white, he defends an ignominable white. He's called "a nugger-lover" and his children are consistently hackled at school as well as by Mrs. Henry Lafayette Dubose, a sinister, cynical woman who subsides to death due to morphine addiction.
To Kill A Mockingbird is indeed a social tragedy but the plot of Harper Lee's Pulitzer Prize winning novel consorts other fragmented dark pieces of the jigsaw puzzle and the final picture is a ghastly one framed in a social contour of deep hypocrisy and abusive racial segregation. The agony of Tom Robinson when he undergoes a clinical segmentation of his alrady distorted character during his trial as the rapist of Mayella Violet Ewell symbolises the eternal blasphemised black community's urge to fabricate itself into the social realm. Little Scout - the narrator of the novel - and Jem are confounded by the town's conscience and find the deep-rooted prejudice and hypocritic mind-set of the people a tough feature to digest. These "inquisitive children" endure a complex relationship with their father and their innocence and bemused exclamatory remarks lends a superaded charm to the mesh of events. "Jem, I ain't ever heard of a nigger snowman", Scout asks her developing broter once and on another occasion lays bare the stark double-standard sustained by the people:"Jem, how can you hate Hitler so an' then turn around and be ugly about folks right at home -?" Boo Radley's queeness of locking himself up in his house for good transfigures from a mere item of comic relief both to the reader and to Jem, Scout and their friend Dill to a suden realisation of truth that he does so "because he wants to" escape from the bitter cold gale of base racism outside.
Written in first-person narrative through the confused but unrelenting hand of Scout Finch, Harper Lee's scheme of ideas aptly ekes out the social scars and humanity's vices. A sly humor underlines the multi- dimensional perspectives of the town, a small area chunked out of the large human landscape and portraying life as it is. Witty ironies and direct sarcasms as in the issue of First Purchase M.E. Church being worshipped by negroes on Sundays and "white men gambl (-ing) on it on weekays" underline a much deeper insight into the Western society. The unscrupulous running away of Tom Robinson from the crime-scene, the subsequent alegation of rape against him, the stripping off of the illusion that the sheriff of the Macomb county Mr.Heck Tate bore against the the alleged criminal, colored cok Calpurnia's blendind of dual lives of a white and a black, Jem and Scout's comprehension of the Cunningham's true identity, the mistaken judgement of the jury, Mr. Link Deas's sympathy towards Tom's wife Helen, and the architect of the doom of the negro as wel asthat of the novel Mr. Bob Ewell's poetically just demise all conform to the interfusion of the light and dark shades of life.
To Kill A Mockingbird is not even 50 years old and already it has been acclaimed as a classic, an enthralling explicit book which aims to elucidate the biasness of the society towards the minor fractions. Even in this 21st century, racism, racial tensions and racial abuse are still loitering around in all nooks and corners of the world and Harpe Lee's massively successful book exposes the violence and meanness that lurks underneath the nobleman's surface. Attiucus advises his children:"Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird". And this sin is being shouldered and would be loaded on the posterity of all generations. Scout and Jem would now be old and still retain their armour of innocence but others, who're diabolically more abundant in nature, such as Mrs. Dubose, Mr. Ewell and Miss Gates, never expound themselves out of their self-made cocoons and consequently never grow. The relevance of this superbly conceived classic in our age is hollering at us from virtually every oppressed man's cries and the need for the Atticuses, Jemes, Scoutes and Deases couldn't arrive at a more appropriate time.
Harper Lee's only novel won the hearts of millions of readers around the world, selling many million copies and being translated into forty languages. Critics loved it for the powerful messages that it sent to the world, as well as being a great work of literature in its own right. Harper Lee uses her unique compassionate style of telling a tender story. The book won her the Pulitzer Prize for fiction in 1960, one year after it was published. The following year it was made into a major Hollywood film starring Gregory Pack in his Academy Award-winning role as Atticus Finch.
We highly recommend To Kill A Mockingbird and will relentlessly promote it to the Chinese readers through our marketing efforts as one of the finest American novels ever written, a timeless classic of conscience and humanity.
Target readers:
General readers
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Harper Lee was born in 1926 in Monroeville, Alabama. She attended the local schools and studied law at the University of Alabama. For some years she spent most of her time in New York City, where, until she began writing, she was employed in the reservations department of an international airline. "Aside from writing," says Miss Lee, "my chief interests in life are collecting memoirs of nineteenth-century clergymen, golf, crime and music.”
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From the Publisher:
Harper Lee's classic novel of a lawyer in the Deep South defending a black man charged with the rape of a white girl.
One of the best-loved stories of all time, To Kill a Mockingbird has earned many distinctions since its original publication in 1960. It won the Pulitzer Prize, has been translated into more than forty languages, sold more than thirty million copies worldwide, and been made into an enormously popular movie. Most recently, librarians across the country gave the book the highest of honors by voting it the best novel of the twentieth century.
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Chicago Tribune (MSL quote), USA
<2007-01-08 00:00>
A first novel of such rare excellence that it will no doubt make a great many readers slow down to relish more fully its simple distinction...A novel of strong contemporary national significance. |
Vogue (MSL quote), USA
<2007-01-08 00:00>
That rare literary phenomenon, a Southern novel with no mildew on its magnolia leaves. Funny, happy and written with unspectacular precision, To Kill a Mockingbird is about conscience - how it is instilled in two children, Scout and Jem Finch; how it operates in their father, Atticus a lawyer appointed to defend a Negro on a rape charge, and how conscience crows in their small Alabama town. |
Time (MSL quote), USA
<2007-01-08 00:00>
All of the tactile brilliance and none of the precocity generally supposed to be standard swamp-warfare issues for Southern writers...Novelist Lee's prose has an edge that cuts through cant, and she teaches the reader an astonishing number of use truths about little girls and about Southern life...Scout Finch is fiction's most pealing child since Carson McCullers's Frankie got left behind at the wedding. |
Marilyn Meyer (500 Great Books by Women) (MSL quote), USA
<2007-01-08 00:00>
In 1960, To Kill a Mockingbird won the Pulitzer prize; thirty years later shopping malls may have replaced the main street of Maycomb, Alabama, but not even thirty years of Civil Rights laws or the gentrification of ante- bellum estates render this book an anachronism. Harper Lee combines two of the most common themes of Southern writing - a child's recollection of life among eccentrics in a small town seemingly untouched by the twentieth century and the glaring injustice of racial prejudice - to create a contemporary American classic. To Kill a Mockingbird has two main threads which carry the plot. The first involves the role of Atticus Finch, who is appointed to defend a shy black man accused of raping the oldest daughter of the town's least respected citizen. The second is the mythology arising out of the reclusive Boo Radley, about whom it was said "when people's azaleas froze in a cold snap, it was because he had breathed on them." But what saves the novel from cliche are the irreverent perceptions of the story's narrator, Atticus Finch's nine-year- old daughter Scout, who depicts mean racist aspects of Southern life as well as humorous and quite often satirical vignettes. To Kill a Mockingbird only gets better with rereading; each time the streets of Maycomb become more real and alive, each time Scout is more insightful, Atticus more heroic, and Boo Radley more tragically human. |
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