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Different Seasons (Paperback)
by Stephen King
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Horror fiction, Bestsellers, Original books |
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The basis of three well-received great movies, four memorable and incredible journey. Stay on with Stephen King! |
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Author: Stephen King
Publisher: Signet
Pub. in: March, 2004
ISBN: 0451167538
Pages: 512
Measurements: 6.8 x 4.2 x 1.1 inches
Origin of product: USA
Order code: BA00929
Other information: Reissue edition ISBN-13: 9780451167538
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- Awards & Credential -
#1 New York Times Bestseller |
- MSL Picks -
Different Seasons is a collection of four mainstream novellas written between 1975 and 1982, which nevertheless might be considered a novel at a stretch of imagination.
- Hope Springs Eternal: Rita Heyworth and the Shawshank Redemption. It has been hailed as a stunning literary achievement of Stephen King. In Shawshank Redemption, King portrays the wasted life of a businessman who had been unjustly sentenced for life on account of his assumed guilt in the slaughter of his wife and her lover. This one has the least horror, but even so it doesn't shy away from detailing the torture of life behind bars. It is told in the first person by Red, a lifer in Shawshank prison who is the "guy who can get it for you". As supplier to the various needs of his fellow prisoners he has developed a cynical view of his surroundings. That is, until Andy Dufresne becomes a guest in the stone hotel. In Dufresne, Red sees a man refusing to succumb to despair, even though he has been railroaded by extreme bad luck and a corrupt justice system. The story develops a feeling of legend around Dufresne, and through his ordeals and triumphs he wears a cloak of dignity that inspires Red to refuse to surrender to his own situation as the years wear on. The microcosm of prison life allows for microscopic examinations of the players involved, and the characterizations here are the strongest in the four tales. Like the predictability of changing seasons we have an idea where things are going, and as we move to the seemingly inevitable conclusion the story develops an almost fairytale quality, set in a stone prison instead of a stone castle. What transpires in the final third would seem impossible, if not for King's greatest strength as a writer: the ability to make the impossible seem completely probable.
- Summer of Corruption: Apt Pupil This story strikes a perfect balance between a good story and deeply shocking horror. It is largely contained to two characters: young, all-American Todd Bowden and the elderly Arthur Denker, who closely guards a devastating secret. The chemistry between the two becomes this story's greatest asset as they enter into a hellish psychological dance. Forming a symbiotic relationship, they feed off each other in horrible ways as Denker starts as teacher to Todd's "apt pupil" They provide two separate characterizations of evil that are played masterfully off each other by King: in Dussander we have an obvious atrocity of the past, and in Todd, American rot and deviousness gilded by a brilliant white smile. Again King telegraphs the ending for us, but as the story slides towards the inexorable conclusion, it's the journey of these characters through the Hell they've created for themselves, as opposed to their ultimate destination, that keeps us riveted.
- Fall from Innocence: The Body This story may not be usual bucket of guts one might be expecting from King, but it's not without its own form of fear and horror: fear of leaving the paradise of childhood behind, the horror of growing old, the terror of losing cherished friendships forever. Four young friends set out on an adventure to find a dead body in the woods, but what they really discover is the fact that their own lives are about to change with the inevitable coming of adulthood. The tale is told by one of the four as an adult, now a horror writer who has found brilliant success in both books and movies. It is easy to believe that King has taken real people from his own past as inspiration, as the characterizations here are as clear and vibrant as a frozen snapshot in time. Adding to the biographic nature is two-stories-within-the-story that are proffered as works by the main character; they're really two works by King that were published in magazines very early in his career.
- A Winter's Tale: The Breathing Method Where we return again to mysterious 249B East Thirty-fifth street, NYNY. First glimpsed in King's short-story collection Night Shift, it's a gentlemen's club where every Christmas season the members gather for a tale told of the uncanny, recited to the flickerings of strange colours in the hearth. We get two stories here along with two narrators; one is provided by barrister David Adley, and is currently the lengthiest portrait of the club and its shadowy existence we've had from King, along with the Christmas story presented by doctor Emlyn McCarron. The Breathing Method is the most horrific work of the bunch as it comes to a crescendo of intensity and hovering madness at the end of McCarron's tale, but it is also a strangely touching story of grim resolve to bring new life forth in spite of a prejudiced, uncaring world.
Four incredible stories, by a writer fully flexing his literary muscles. Whatever the subtext, you will have plenty to chew on with the text alone. It's hard to imagine the power of storytelling put on better view than in the pages of Different Seasons, or a stronger case for the wide-ranging nature of King's singular talent.
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Stephen Edwin King was born in Portland, Maine in 1947. After his parents separated when Stephen was a toddler, he and his older brother, David, were raised by his mother. Parts of his childhood were spent in Fort Wayne, Indiana, where his father's family was at the time, and in Stratford, Connecticut. When Stephen was eleven, his mother brought her children back to Durham, Maine, for good. Her parents, Guy and Nellie Pillsbury, had become incapacitated with old age, and Ruth King was persuaded by her sisters to take over the physical care of the elderly couple. Other family members provided a small house in Durham and financial support. After Stephen's grandparents passed away, Mrs. King found work in the kitchens of Pineland, a nearby residential facility for the mentally challenged.
Stephen attended the grammar school in Durham and then Lisbon Falls High School, graduating in 1966. From his sophomore year at the University of Maine at Orono, he wrote a weekly column for the school newspaper, The Maine Campus. He was also active in student politics, serving as a member of the Student Senate. He came to support the anti-war movement on the Orono campus, arriving at his stance from a conservative view that the war in Vietnam was unconstitutional. He graduated from the University of Maine at Orono in 1970, with a B.A. in English and qualified to teach on the high school level. A draft board examination immediately post-graduation found him 4-F on grounds of high blood pressure, limited vision, flat feet, and punctured eardrums.
Stephen made his first professional short story sale ("The Glass Floor") to Startling Mystery Stories in 1967. Throughout the early years of his marriage, he continued to sell stories to men's magazines. Many of these were later gathered into the Night Shift collection or appeared in other anthologies.
In the fall of 1971, Stephen began teaching high school English classes at Hampden Academy, the public high school in Hampden, Maine. Writing in the evenings and on the weekends, he continued to produce short stories and to work on novels.
In the spring of 1973, Doubleday & Co. accepted the novel Carrie for publication. On Mother's Day of that year, Stephen learned from his new editor at Doubleday, Bill Thompson, that a major paperback sale would provide him with the means to leave teaching and write full-time.
At the end of the summer of 1973, the Kings moved their growing family to southern Maine because of Stephen's mother's failing health. Renting a summer home on Sebago Lake in North Windham for the winter, Stephen wrote his next-published novel, originally titled Second Coming and then Jerusalem's Lot, before it became 'Salem's Lot, in a small room in the garage. During this period, Stephen's mother died of cancer, at the age of 59.
Carrie was published in the spring of 1974. That same fall, the Kings left Maine for Boulder, Colorado. They lived there for a little less than a year, during which Stephen wrote The Shining, set in Colorado. Returning to Maine in the summer of 1975, the Kings purchased a home in the Lakes Region of western Maine. At that house, Stephen finished writing The Stand, much of which also is set in Boulder. The Dead Zone was also written in Bridgton.
In 1977, the Kings spent three months of a projected year- long stay in England, cut the sojourn short and returned home in mid-December, purchasing a new home in Center Lovell, Maine. After living there one summer, the Kings moved north to Orrington, near Bangor, so that Stephen could teach creative writing at the University of Maine at Orono. The Kings returned to Center Lovell in the spring of 1979. In 1980, the Kings purchased a second home in Bangor, retaining the Center Lovell house as a summer home.
Because their children have become adults, Stephen and Tabitha now spend winters in Florida and the remainder of the year at their Bangor and Center Lovell homes.
He has put some of his college dramatic society experience to use doing cameos in several of the film adaptations of his works as well as a bit part in a George Romero picture, Knightriders. Joe Hill King also appeared in Creepshow, which was released in 1982. Stephen made his directorial debut, as well as writing the screenplay, for the movie Maximum Overdrive (an adaptation of his short story "Trucks") in 1985.
Stephen is the 2003 recipient of The National Book Foundation Medal for Distinguished Contribution to American Letters.
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Different Seasons (1982) is a collection of four novellas, markedly different in tone and subject, each on the theme of a journey. The first is a rich, satisfying, nonhorrific tale about an innocent man who carefully nurtures hope and devises a wily scheme to escape from prison. The second concerns a boy who discards his innocence by enticing an old man to travel with him into a reawakening of long-buried evil. In the third story, a writer looks back on the trek he took with three friends on the brink of adolescence to find another boy's corpse. The trip becomes a character-rich rite of passage from youth to maturity.
These first three novellas have been made into well-received movies: "Rita Hayworth and Shawshank Redemption" into Frank Darabont's 1994 The Shawshank Redemption, "Apt Pupil" into Bryan Singer's 1998 film Apt Pupil (also released in 1998 on audiocassette), and "The Body" into Rob Reiner's Stand by Me (1986).
The final novella, "Breathing Lessons," is a horror yarn told by a doctor, about a patient whose indomitable spirit keeps her baby alive under extraordinary circumstances. It's the tightest, most polished tale in the collection. -Fiona Webster
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View all 15 comments |
Brian Seiler (MSL quote), USA
<2007-02-01 00:00>
Sometimes collections like this can be hard to judge. Most of the time the author will have ups and downs, with one story that may appeal to one audience and another which appeals to a different one. Different Seasons, however, manages to provide a good body of work that should appeal to just about everybody.
To be clear on the content of the book, this is actually two novellas and two short stories - both Rita Hayworth and the Shawshank Redemption and The Breathing Method are both on par with such classics as "Bartleby the Scrivener." The format of the book is perhaps a little hokey - the stories follow the seasonal theme - but ultimately that artistic touch is irrelevant to the real appreciation of the book, at worst, and endearing, at best.
The stories themselves are excellent, a fact attested to by the production of three major films based on the first three of these pieces. The first presented is Rita Hayworth and the Shawshank Redemption, and of them all, it's probably the best on the whole. The characters in the story are well written and, all things considered, it's really just a fine story with a positive message that you might not be used to seeing in Stephen King's writing. Second is Apt Pupil, which is more reminiscent of King's usual subject matter and tone, but still manages to provide an engrossing and interesting view into the nature of evil and the parasitic relationship that a man can develop with it. The Body is probably the most endearing of all the stories in the book, even if it is the roughest in terms of production. With a reflective, old-man-on-the-porch-in-the-sunshine voice, King is able to relate this tale of the loss of innocence and the passage into adulthood. The final tale is actually reminiscent of other, older authors than King. The Breathing Method uses several old tricks of such superluminaries as Melville and Hawthorne in its presentation, and manages to wrap an entertaining story around an allegorical examination of the writing process.
Taken as a whole, this collection is truly one of the most excellent efforts that King has ever put forth. While he still does tend to bloat a little (a complaint many have about his novels) in the middle two stories, all of them manage to create an atmosphere wholly their own and to take the mind of a reader away to another place, which, as King says in the afterword, is his first and highest goal. While little new ground is broken in the themes King analyzes, the themes themselves all still bear examination. His storytelling is at its height here, and this is a book that all readers should pick up at one point or another. It may not be horror, but that, in this case, cannot be said to be a failing, as King showcases his cross-genre talent. A truly fantastic book.
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A reader (MSL quote), USA
<2007-02-01 00:00>
I didn't know King was the creator of such works like The Shawshank Redemption and Stand By Me until long after he'd written those stories. I can say this without hesitation though, that Different Seasons is one of the most powerful works of fiction I've ever read.
The Body, my favorite piece in Different Seasons, is one of those stories that stays with you long after you've put it down. It has its elements of being scary, but overall its a tale of friendship, much as is the case with Rita Hayworth and Shawshank Redemption.
You get the sense that King placed many of his own, real memories into The Body, and you also get the feeling that this is his tale (although it's merely fiction) and there's a part of you, as you read, that says, "This is REAL. This author really believes this."
That's when you know you're reading something amazingly profound. Each word has a reason in The Body, each sentence another tunnel to get you where King wants to take you. This can't be said for all of King's works, but it is certainly, colosally present here.
I know many critics hound King for overstating and sometimes, seemingly out of spite, understating, but those that do seemingly skipped past Different Seasons. Note to critics: Read This One.
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Michele Eggen (MSL quote), USA
<2007-02-01 00:00>
All four of these stories were spectacular and made for a very exciting, and sometimes shocking, read. The best was of course "The Breathing Method." I must say that I have never read anything quite like that before but it totally blew me away. It was disgusting, but at the same time mesmerizing as that amazing story unfolded. I don't know why people are so down on "Apt Pupil." I think it's because it was a good story but maybe it was the way the story was told. You gotta love "Rita Hayworth and the Shawshank Redemption" because it was made into a such a wonderful movie and it and the story were practically twins. You couldn't help but enjoy it. "The Body" was a very cute story of four boys off on an adventure with some frightening mishaps on the way. I love how King makes such wonderful transitions in whose point of the view the story will be told from. All great stories, exciting read.
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Daniel Jolley (MSL quote), USA
<2007-02-01 00:00>
For all those who doubt the fact that Stephen King is one of the all-time great masters at the craft of writing, there is Different Seasons. If nothing else, the doubters should at least acknowledge King's important contribution to reviving the lost art of the novella. King has always said he would write, whether he ever sold a single book - and I think that is completely true. He didn't write these four novellas with publication in mind; each one was written immediately after the completion of a best-selling novel - and each one just sort of sat there after it was finished. What, after all, can a modern author really do with manuscripts too long to be short stories and too short to be novels? Eventually, the idea came to King to just publish them together, with a title that speaks to the fact that these are not the author's usual blood-dripping, creepy-crawling horror stories. In doing so, he not only gave us four of his most captivating works of fiction, he showed a whole new generation of readers the vast, inherent power of the novella.
Three of these four novellas are even better-known than many of King's best-selling novels - due in no small part to the movie adaptations that followed in their wake. It all started with the film Stand By Me - which was not marketed as an adaptation of a Stephen King work of fiction. This was a smart move, considering some of the weak adaptations of earlier King novels. I can only guess how many impressed moviegoers were shocked to learn that Stand By Me was adapted from King's novella The Body. It's a story of four boys who set off to see a dead body, that of another kid hit by a train; their adventure makes for an extraordinary coming-of-age story. It is, in fact, a story about childhood, founded upon a mysterious event in King's own early days (he supposedly saw a friend hit by a train when he was four years old - but there has always been some question as to whether or not this is true); The Body feels autobiographical, and it truly does recapture the essence of childhood and the maturing process into adolescence. I like to think of The Body as a fantastic warm-up to King's later novel It, which captures the essence of childhood almost perfectly.
Rita Hayworth and the Shawshank Redemption gave birth to Shawshank Redemption, the most critically acclaimed and popular of all King movie adaptations. I think the movie is even better than the novella (largely due to Morgan Freeman), but everything that shines in the movie is here in the novella. An innocent man, convicted of killing his wife and her lover, gives new meaning to the term patient resolve - and has a profound effect on some of his fellow prisoners. I think it's the ultimate prison story, as it shows us the good and the bad of prison life and imbues its characters with a humanity rarely seen in prison-based stories. It's just a stellar piece of writing.
Apt Pupil is my favorite, though, and it finally, after years of fits and starts and rumors, was made into a film in 1998. The movie did make some changes to the original storyline, but it was a vastly underrated film that truly embodied the spirit of King's original novella. The most horrible things can oftentimes be the most fascinating. I know I've always been fascinated by everything that took place in the Third Reich. The teenager in the story, though, is obsessed with those atrocities, and that obsession turns into something increasingly disquieting and dangerous when he discovers a former Nazi living under another name in his neighborhood and blackmails him into telling him all the "gooshy" details of his part in the Holocaust. Apt Pupil is one of the most impressive psychological studies of evil I've ever read.
The Breathing Method sort of gets lost in the shuffle. It's shorter than the other novellas and has never been adapted for film. I really like this story, though. It has a classic fireside story feel to it, hearkening back to the likes of Poe, with its mysterious gentlemen's "club" and emphasis on story-telling. The particular story we are privileged to hear about is in some ways rather ridiculous and certainly quite melodramatic - yet it works extremely well. The novella was dedicated to Peter and Susan Straub, and I think it shows the obvious influence of horror maestro Straub from top to bottom (which, to my mind, is a good thing).
The Breathing Method supplies the theme that serves as a sort of mantra for the entire collection: It is the tale, not he who tells it. The story is everything, and the author is sort of a literary midwife who helps the birthing process along. I heartily believe that many a King critic would fawn over Different Seasons if they read it without knowing who wrote it. This book is a perfect introduction for those yet to experience King for themselves - these are, for the most part, mainstream works of fiction that reveal a master storyteller at work.
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